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1. I.T.'s Life... Generation Zero
2. Strait-Jacket Memories
3. Special Olympics
4. Hold Your Breath
5. These Days
6. Technological Noose
7. Transparent Solutions
8. Plastic Cast... For Me
There is no denying that M.A.D.'s Taboo Of The Western World has a
strangely intriguing style of its own. The band's music tends to sound more
complex than it really is, most songs being quite lengthy and technical
pieces. It is a pretty clever piece of work as a whole, although lacking truly
catchy bits. On occasion, this release resembles a more technical though not
quite as energetic variation of Acid Reign. It is only at some point after the
middle of the album that this approach starts to turn against itself, with a
couple of aimless and plodding songs too many that take away from the initial
favorable impression. Maybe M.A.D. could have spent some more time to think
over their ideas and present them in a more compact form, but even now this
debut release is strong enough to raise some real interest in their music.
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1. Bring Slavery To Trial
2. Harlequin
3. Your Sins Will Find You Out
4. Close Confinement
While this Italian band may have received little actual fame in their time,
they surely must have gained a cult status over the years. Mad Poltergeist's
mini album Mad 'n' Damn is a rare treat indeed, but it can also sound
notably quirky and amusing to average ears, intentional or not. The music is
certainly fast and all, but every now and then the output tends to appear
strangely lightsome and even amateurish. There is a certain incoherent feel
around this thing, and you cannot help but wonder what level of confidence the
band really had in the days of this recording. Maybe Mad Poltergeist were in
for a serious career after all, but in the case of Mad 'n' Damn the
outcome tends to ring the wrong bell a bit too often.
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1. Mortal Play
2. War Is The Same
3. Talk Of My Gun
4. No Way
5. I Killed The Killer
6. Madness On Ice
7. Stop Destroying
8. Mad V. (Mad Vengeance)
9. The Silence Before The Storm
10. Evil Dozes
It becomes evident already on the first track of War Is The Same that
Mad V's branch of thrash metal is more technical than the norm. The main focus
is not on speed, instead many tracks are sort of jumpy and nervous. It would
not be easy to highlight any particular songs, as the band's compositions lack
truly memorable ingredients. But the production quality is clear and sharp in a
good way, and the album as a whole manages to sound more convincing than its
individual parts might suggest. Possibly War Is The Same could have
benefited from a bit more streamlined direction and a couple of faster tracks
as well. Even now the result is at least on an acceptable level, just not
something that one would be likely to give a spin very often.
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1. Nice Teeth
2. The Human Race Has Been Cancelled
3. Right To Dislike
4. Born Witless
5. A Measured Timeframe
6. Compulsory Communication
7. For Your Life Let Justice Be Accused
8. Rob A Bank, Buy A Tank
9. A Bit Inconsiderate
10. Flashing Of The Brain
The good thing about Magnetron's approach is that it has something of a genuine
unruly edge, complete with restless riffwork, manic drumming, and scratchy
vocals. All these factors can make A Measured Timeframe appear a lot
less boring than some more ordinary works in the contemporary genre do. Most
songs here don't pass even the three minute mark, which kind of ensures that
the pace remains quite hectic with almost no exceptions. Although the
compositions may not be catchy enough to make this album really stick, some
more distinctive and highly energetic tracks like Born Witless and
Compulsory Communication contribute to a positive aftertaste. Which
should be already enough of a reason for anyone to give this release a closer
look.
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1. Trash Attack
2. Tomb
3. Pharisee
4. Confession
5. Crosses Of War
6. Messenger Of Hell
7. Scarlet Slaughterer
8. Man Condemned
9. Destruction
10. Leprosy
11. Rabies
12. Achtung Magnus!!!
Those who tend to enjoy technical finesse are probably left shocked by the
straightforward approach of Magnus. Scarlet Slaughterer is a strong
reminder from the time when speed was pretty much the most important thing.
You can be sure that slow complex passages are nowhere to be found on this
album, as the band's attack is really relentless. When heard for the first
time, the output can actually appear unconstrained and energetic enough to
inspire you into spontaneous moments of jumping around just for the sake of
it. The sound quality is not too great, but the production serves its purpose
while adding some vintage feel to the whole thing. Although the music may not
be of the most long-lasting quality, Magnus clearly put so much effort into it
that no one is likely to be left cold by this powerful spirit.
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1. Howlers Of Insanity
2. Inhuman Conditions
3. Bleeding Inferno
4. The Gathering
5. Desert Storm
6. Twilight At The Towers
7. Public Manipulators
8. Misguided Faith
9. The Arraignment Process
When you consider the history of the scene at the time of Majester's debut
release, it is no big surprise that Misguided Faith is both technically
and musically quite a refined piece of thrash metal. At that point any new
band must have been already fully aware of what really works out and what
doesn't, therefore it is not totally unexpected that the style of this album
is very mature for such an early effort. The gritty guitar sound is good, and
as far as songwriting goes this recording is sufficient for its kind albeit
far from remarkable. On the downside, Majester sometimes sound awfully similar
to certain older bands, and the riffs are not exactly what you could call
catchy. Misguided Faith is therefore not guaranteed to raise any great
interest, but at least it sounds professional enough right from the start.
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1. 7.83
2. Embodiment
3. Inbetween Terminals
4. Zero Hour
5. Warhawk
6. Media Suicide
7. Skeksis
8. Fall To Khaos
9. Flood Of Flames
10. Resonance Cascade
11. Monolith
Despite their limited numbers, without Australian bands the thrash metal genre
might have ended up a tad duller than it is now. The skillfully composed intro
to Malakyte's Human Resonance is classy enough to start bringing
memories of Annihilator's Crystal Ann to mind, but after that the guitar
tone becomes notably rougher. The riffs are usually adequate enough, although
you don't often even notice them due to the band's vocalist who sounds plain
crazy and then some. With no doubt, this "singing" must be the major highlight
of this release in both good and bad - imagine Hatchery but more frantic and
hilarious by a notch or two, and you should get the picture. Admittedly the
effect is most impressive on fast thrashers that are fortunately plentiful
here. While it may be difficult to imagine how another release of the same kind
would fare, for now Human Resonance is worth a listen especially if
you're interested in some positively outrageous delivery in the vocal
department.
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1. Devilization
2. Hate Generator
3. I Am The Blood
4. Rageous Souls
5. Sacrifice
6. Soldiers Of Blackblood
7. Malicious Death
8. Tormentor
9. Antichrist
It seems there are always bands willing to play a specific type of highly
conventional thrash metal. As yet another seemingly basic example of this kind,
Malicious Death's Devilization is a safe bet on all counts. The album
sounds completely unoriginal and ordinary, but anything more than that would
have probably been quite surprising in these circles. Everything is done in a
genre-savvy way, and mainly this release suffers from its songwriting that is
very plain and uninteresting. Especially the slowest tracks on this album are
quite dull, but most of the faster pieces are nothing to brag about either.
Although it is easy to take Devilization as something of a semi-clever
exercise on traditional thrash metal, the music can appear a bit too bland
already in the short run.
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1. Possessed
2. Mind Of Violence
3. Deathmarch
4. Legion Of Doom
5. War And Power
6. Suffocation
7. Grave Under Ice
8. Enemy Unknown
If anything, War And Power is a vast improvement over Malicious Death's
first release. If the opening track Possessed does not already blow your
socks off within a minute or so then you must be either bare-footed or standing
knee deep in quicksand. Much better produced than the band's debut, this album
demonstrates a level of energy and enthusiasm that goes way beyond the usual
norm and contributes to a fun experience on all grounds. The music is still not
all speed all the time, but this time the riffage is constantly strong even
though some repetition cannot be avoided. The vocals are more emphasized and
can appear extremely brash though also quite refreshing, not unlike the whole
album. War And Power is not among the most important productions, but it
takes a real cynical mind not to enjoy this thing.
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1. Death By Dawn
2. One By One
3. Crooked Cross
4. No Justice
5. Reign Of Chaos
6. Blasphemy
7. Storm Of The Metal
8. Thrash Till Death
9. ...From Above
With their third full release out, it is clear that Malicious Death's entry to
the scene was not meant to be a temporary visit. But it is nevertheless
somewhat disappointing that ...From Above sounds a lot less exciting
than its predecessor. It is more like another typical thrash metal album, and
there are only few redeeming factors or actually anything worth a closer look
to compensate for the general lack of highlights. With a new singer in the
roster, the vocals have changed to a more generic direction, and although the
band still maintain some respectable intensity, the style altogether lacks the
amusing rough charm of War And Power. This time the songs can often
leave you bored, mostly just because it could be practically almost any little
known band playing and you wouldn't be too likely to notice any difference.
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1. Restitutional Rights
2. The Hunger
3. Vengeance Of Time
4. Submission
5. Freedom Fighters
6. License To Kill
7. Power Play
8. Branded
9. Cyber Wars
10. D.I.C.L.
11. Shades Of Black
12. Towards The Cross
13. Blood Sisters
The title of Malicious Intent's Shades Of Black fits the album very
well, as there is certainly a persistent darkened feel over this music. Almost
typically atypical for Canadian thrash metal, the band's style is slightly
more diverse than the norm. Sometimes you cannot help but notice the obvious
limitations of having only one guitar in the band's sound, though in a way
this just adds to the total vintage feel. More than occasionally the menacing
approach carries an unmistakable tone of proto death metal, not totally unlike
Necrophagia's Seasons Of The Dead, for example. You still get some
straightforward thrashers like License To Kill, but as a whole this
pack of songs is quite varied and not in a bad way. While this kind of bands
often come and go without a notice, Malicious Intent's sound is
distinguishable enough to make something of a memorable impression.
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1. Attila
2. Black Rose
3. Faces Of Death
4. Jack Boots And Leather Caps
5. Power Of The Law
6. Evil Dead
7. Posers
8. I Will Be Your Last
Hailing from Netherlands, Mandator were initially not solely a thrash metal
band - instead, their music in the beginning involved elements of thrash and
more mellow power metal. The band's debut album Initial Velocity is in
many ways very similar to Stricken By Might by E-X-E, in other words,
some hectic thrash metal accompanied with more conventional tracks. It's like
a half of the tracks represent fast, straightforward thrashing whereas the
other half consists of calmer but still quite heavy stompers. Compared to
E-X-E, Mandator's debut is somewhat more consistent but lacks definite
highlights. The fastest tracks like Power Of The Law are fairly
satisfatisfying and all, but this album has nothing like Crib Death or
even Autopsy. On the bright side, it omits the cheesiest moments of
E-X-E as well. The vocals range seemingly easily from raw and strained to more
melodic and mellow depending on the track, and despite the different styles
this album manages to sound rather uniform. Overall, Initial Velocity
is not a bad example of old speed/thrash metal but not too great either.
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1. Stick Your Knife
2. Coition Interruptus
3. Surrealistic Manoeuvres
4. An Invisible Disease Strikes
5. Brain Desire
6. Perfect Progeny
7. Automatic Artillery
8. Life Is Calling
By their second album Mandator had refined their style closer to pure thrash
metal, complete with some notably heavier vocals and more fierce attitude.
Perfect Progeny contains fairly good, energetic full-speed thrash with
some occasional striking moments. From the very first notes, a full attack is
the name of the game, though the band do insert some stylish details into
their music as well. Except for respectable speed and intensity, most tracks
sound rather ordinary, the frantic and amusing Coition Interruptus
probably being one of the more distinctive pieces. In the end this album has
just the same problem as many others, as the devoted execution is not really
enough to hide the fact that the music is composed of rather basic and
unoriginal riffs, failing to rise too far above the average level. Perfect
Progeny is an enjoyable piece of thrash metal but not really up to the
higher standards of the genre.
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1. One By One
2. Executioner
3. Black Tar Sin
4. Death And Destruction
5. Murdered To Death
6. Souls
7. Panic
8. Double The Blood
9. Thrashatonement
10. By The Cemetery
11. Next Attack
There should be no doubt that the best asset of Mantic Ritual's
Executioner is the fluent nature of it all. The whole thing plays
effortlessly and without glitches, and if this kind of consistent and
undisturbing flow of thrash metal was the only thing that matters then this
album would be an immediate milestone in the genre. Now the biggest
remaining problem is that there is virtually nothing novel or memorable about
this recording as far as actual songs are considered. Like said, there may be
only few other albums that play in the background as smoothly as this, but when
a recording contains little that would actually hold your attention longer than
a couple of tracks into it, it is not surprising if your mind starts wandering
to anything else before soon. Admittedly Executioner is very well done,
but it seems quite difficult to retain any permanent mental impression from
this album even after several listenings.
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1. Blue & Black
2. Harvest
3. Seeds Of Vengeance
4. Trapped Within
5. Pressure
6. Soldier Of Fortune
7. Six
8. Betrayal
9. Mask
10. Maniac
11. Bombs Away
12. Casualties
It is almost amusing how quickly and spontaneously Martyrd's debut release can
remind you of Metallica from the mid-1980s. Maniac indeed carries
some strong echoes from the past, not only due to singing that resembles
something that James Hetfield could have produced during his late teens. On the
other hand, the vocals are also one of the problematic points of this album as
they can occasionally appear somewhat too feeble for this kind of music. But if
you can look past a few shortcomings, the songs on Maniac unarguably
prove that Martyrd have both creative and technical skills necessary to put
together stylish and intriguing lengthy compositions of their own. It certainly
makes a much more pleasant listening experience than certain other bands whose
idea of songwriting consists of circulating a maximum of three different notes
in rapid succession. Apart from one odd ballad, there are good straightforward
thrashers like Soldier Of Fortune and Casualties as well as some
more technical but altogether quite listenable pieces. Add a bit more edge to
it, and the results could be something great.
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1. Backshock
2. House Of Trial
3. Wise Man Never Stall
4. The Xperiment
5. Bad Taste
6. Face Of Death
7. Fireblind
8. Death Tone
9. Between The Eyes
10. Rat's Ambition
11. Lethal Solution (D.I.H.)
As it seems, Maskim were not a bad representative of Italian thrash metal in
their days, but somehow they failed to gain any big success. Apparently the
band had a history in a different kind of metal already before this album, and
there is one song here that directly reminds of their hard rock heritage. That
aside, this is quite a nice package with a few truly catchy riffs and a good
drive throughout. Not only do a couple of songs like Fireblind demand
more than average listening time due to their positively effective impact,
there are many memorable individual touches like the great stomping intro of
The Xperiment that lasts almost two minutes before the remainder of the
song kicks in. It should be noted that some may find the nasal vocal tone
slightly annoying, though. Maybe Maskim just had their album out too late for
anyone to notice, otherwise it would be hard to see why there never was any
follow-up to such a promising release as this.
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1. Mangler
2. Love Your Disease
3. Heads
4. Culinary Chaos
5. Bean Bag Arse
6. Look Back In Anger
7. Out Of
8. Shutter Bug
9. Cool Cats
10. Bug 'er Off
11. Bowel Growl
Mass Confusion's Confusion Intrusion is an album of the kind that you
don't encounter often these days, and not only because of the scarce
availability of it. Featuring a strong essence of slightly unconventional
thrash with occasional touches of punk and hardcore (as in the original
1980s vein), this one has more than a typical share of wild attitude to
spare. The quality of the whole is two-fold at best - most of the less frenetic
pieces are nothing special while the fastest tracks are downright comparable to
Nuclear Assault's unmistakable frenzy, complete with a howling voice much like
John Connelly's. Although it is fairly entertaining at times, most of Mass
Confusion's music tends to end up sounding rather lightweight and disposable
with no long-lasting charm. This is not necessarily a bad pick for those who
spontaneously happen to stumble upon it, just far from mandatory by any means.
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1. Intro Golgotha
2. Talk Of The Devil
3. Danger
4. Fallen Angel
5. Live To Die
6. Tsar
7. Heroes
8. Romance
9. I Hate Your Sex
10. Paranoid
For a Russian band, Master delivered some very straightforward thrash metal on
their first recording in English. In comparison to their fellow countrymen
Shah, Master's Talk Of The Devil is somewhat less complex, even close to
formulaic at times, but sufficiently powerful for the most part. The general
style of this album is not really too innovative or anything, but the trimmed
production somehow makes even the more ordinary riffs sound slightly stronger
than expected, and one must admit that the band's straight-to-the-point
approach sort of works here, after all. Even the old Black Sabbath cover
Paranoid is played through without any additional gimmicks whatsoever.
This is not to say that Talk Of The Devil would be too much of a
recommendable piece of work as it certainly contains nothing that hasn't been
heard before, this time it's just done well enough.
Note:
The official CD release of this album has different cover art than the
original vinyl.
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1. Beastie Generation
2. Maniac Party
3. Lock Them In Graves
4. Burning In Hell (Civil War Disaster)
5. Screams Of Pain
6. Time X
7. They Are Just Like Us
8. Punk Guys
9. Go
As a slight surprise, Master's Maniac Party turned out to be a fairly
satisfying thrash metal album done in the old style, despite its late release.
When compared to Talk Of The Devil, the production is naturally a lot
better, especially regarding how the instruments fit together, and the band
sound definitely more vivid on this album. In addition, the music has got a
lot more variety, which on the other hand results in some interesting
individual tracks but also makes the overall quality more uneven. While the
first couple of tracks are probably some of the best Master have done, some
others appear pretty pointless and dumb. For this reason, Maniac Party
does not rise to a higher level although it generally sounds more interesting
than its predecessor. Maybe with a little more focused outcome the final
impression could have been more favorable than now.
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1. Die In Your Sleep
2. Lies
3. Circus Of Hate
4. Son Of Man
5. Corporate War
6. The Way
7. Life's A Bitch
8. V.O.H.
As far as total obscurity goes, Master Fury deserve a cult status with no
doubt. Nowadays the value of Circles Of Hate may be mostly based on
other than solely musical factors, but this album is still not half-bad. While
these songs do not make a diverse bunch, the band's sound is fairly
enthusiastic, and a couple of more memorable tracks like Lies are
arguably pretty well composed. The production quality is below even the late
1980s standards, but that only makes everything sound more authentic. Even
though the music is nowhere near the same league as the releases from bands
like Silence or Vacant Grave from the same period, there is some sympathetic
feel to this album that helps it to overcome some shortcomings in other areas.
Essentially Circles Of Hate represents a piece of underground mentality
that any modern bands can only dream of.
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1. Gates Of Hell
2. Hell Line
3. The Triple Alliance
4. The Nightcomers
5. Strange Aggression
6. Terrible World
7. Victims Of Faith
8. Violence & Force
9. In Memory Of A Soldier
Mastermind's Strange Aggression is technically quite a fair first album,
the production in particular is very sharp and refined. There is noticeably
more variation here than on your average balls-to-the-wall thrash metal album,
which is not a bad thing at all, but sometimes the less frantic moments in
combination with the clean sound quality make a slightly restrained impression.
Many riffs are at least semi-catchy though whole songs not that much,
Hell Line probably ending up the most interesting piece due to its
creative guitar lines. For clean-cut thrash metal this is by all means a
passable effort, only nowhere near the most memorable products as a whole.
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1. Nightmare
2. Hell Razor
3. The Sign Of The Sun
4. Last Try
5. Lord Of Life
6. Masterstroke
7. Kill 'em All
A rumor has it that original promo copies of Masterstroke's debut full-length
can be found for sale for stupid amounts of money these days. Based on the
official release finally out twenty years after its recording, it is difficult
to see the point of this alleged value, rare or not. Silence represents
a case where you probably must intentionally prioritize pure nostalgia over
everything else, as this product has not aged quite as well as some of its
peers over the years. While the band's speed/thrash metal would otherwise seem
passable, even ambitious at times, the singing sounds often quite amateurish
and awkward. Also, listening through this album can get seriously tiresome due
to its dated style and mostly very lengthy tracks. There is admittedly some
long lost sentimental value in Silence, after all, but it may not
justify the effort of going to great lengths to obtain a copy of this release.
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1. Something Incomprehensible
2. Law Enforcement Agency
3. Repetitions Of Human Errors
4. Let Me Explain
5. Save Your Dignity
6. No Brain / No Pain
7. Discord
8. Monofaces
9. Better To Forget
Human Errors does not quite fit into your typical thrash metal formula.
Megace's music is highly technical German speed/thrash metal, more often than
not you could call it downright progressive. Sometimes the effect can be quite
unusual and puzzling, but unlike many of their peers Megace are actually very
listenable and at its best their style is engrossing. The sound is rather
unheavy, though, and a better production could have given this album a great
additional kick. One of the nicest things about the band's music is Melanie
Bock's vocals that range from subtle to harsh, even though in the latter case
they sound slightly undeveloped at times. Most of this album is fairly
vigorous enough although some of the snappier but also less intense tracks
occasionally sound almost too clever for their own good. Human Errors
must be one of the more original pieces of work in the genre, but fans of a
brutal and heavy style might do better without having a look at this one.
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1. Last Rites / Loved To Death
2. Killing Is My Business... And Business Is Good
3. Skull Beneath The Skin
4. These Boots
5. Rattlehead
6. Chosen Ones
7. Looking Down The Cross
8. Mechanix
Dave Mustaine's master project had an interesting but not dazzling start. The
elegant intro Last Rites can be somewhat misleading as the rest of this
release sounds much more down-to-earth. The songs have enough creativity put
into them, and the bouncy rhythms and occasionally downright jazzy guitars
certainly make the album stick out from the mass. The cover version of
These Boots is quite an amusing (and unrespectful) treatment of the
original but good for a change of pace. More original than heavy or fast,
Killing Is My Business... was indeed a promising yet undeveloped debut
for this band.
Note:
All early four Megadeth albums have been later re-released as partially
re-recorded and remixed versions that sound quite a bit different (and not
necessarily better) than originals. Also, These Boots was first
completely dropped and then re-added with censored lyrics on subsequent
reissues of the debut album.
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1. Wake Up Dead
2. The Conjuring
3. Peace Sells
4. Devils Island
5. Good Mourning / Black Friday
6. Bad Omen
7. I Ain't Superstitious
8. My Last Words
Much heavier and better produced than Megadeth's debut release,
Peace Sells... But Who's Buying? sounds very powerful and convincing
even today. This album has actually several highlights - for example,
Wake Up Dead and the title track are classic, highly effective pieces
and some of Megadeth's most memorable moments ever. There is some particularly
great and creative guitar work found here, Good Mourning being a prime
example of that, whereas Black Friday is an epitome of violence as far
as the lyrics are considered. The bluesy I Ain't Superstitious is the
most unnecessary cover song, though, but the rest of this album does not
disappoint. With quite a balanced sound and feel, Peace Sells... But Who's Buying?
remains one of Megadeth's finest recordings to date.
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1. Into The Lungs Of Hell
2. Set The World Afire
3. Anarchy In The U.K.
4. Mary Jane
5. 502
6. In My Darkest Hour
7. Liar
8. Hook In Mouth
So Far, So Good... So What! is probably Megadeth's nastiest and
thrashiest hour (actually, not more than a good half), with an authentic
hate-filled and cold atmosphere that feels like a perfect recollection of the
late 1980s. Maybe for this reason many people seem to despise this recording
and consider it an inferior piece of work, but it is really one of Megadeth's
most intense efforts ever. Into The Lungs Of Hell and Set The World Afire
open the album in an apocalyptic vein as only appropriate, whereas In My Darkest Hour
is the most memorable song with some very depressing lyrics. Anarchy In The U.K.
must be one of the few decent cover songs out there, mainly because the style
is not too different from the original and thus it feels more like a refined
version, and Hook In Mouth makes truly a venomous closing track. The
band's line-up was revamped prior to this release but they sound just as good
as ever, and only the underproduced drums on a couple of tracks may be slightly
irritating. Despite all its alleged faults, So Far, So Good... So What!
can be a strangely captivating listening experience.
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1. Holy Wars... The Punishment Due
2. Hangar 18
3. Take No Prisoners
4. Five Magics
5. Poison Was The Cure
6. Lucretia
7. Tornado Of Souls
8. Dawn Patrol
9. Rust In Peace... Polaris
With Rust In Peace Megadeth took a step into a more technical direction.
The sound of this album is fairly clean and polished, even progressive, and the
level of musicianship is admittedly the highest so far. Holy Wars... The Punishment Due
and Rust In Peace... Polaris could be some of the best opening and
closing tracks ever found on the same album. However, some of the result may
not appear quite as unrestrained as certain earlier works. This is not to say
that Rust In Peace wouldn't be a great album, it is just a tad less
aggressive than Megadeth's most vicious moments in the past. It definitely
makes a lot better final impression than any of the more radio-friendly heavy
rock that this band would later start to produce.
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1. Without Honour
2. The Cure
3. The Hut Of Baba Yaga
4. Heroes Grief
5. Kill The Enemy
6. Nightmare Patrol
7. Shivas Return
8. Black Sabbath
9. Back Home (In Hell)
Emerged from a need to push the limits of thrash metal, Mekong Delta exercised
complete control over their musical vision from the very beginning. Loosely
based on the theme of Vietnam war, the band's debut album could be described
as slightly technical speed/thrash metal, something in the realm of Living
Death during their late 1980s period. Already obvious on this album is the
dead accurate delivery - few bands actually could play this fast with such
precision as Mekong Delta. Of course, even high musicianship would matter very
little if there were no memorable riffs to speak of, but that is not the case
here. Except for a couple of more ponderous tracks with hardly audible
experimental overtones, these songs run wild and energetic, from the raging
Without Honour to the forceful Back Home (In Hell). Compared to
the band's later, more refined releases, this is the most straightforward of
the bunch and still holds some definite charm of its own.
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1. Age Of Agony
2. True Lies
3. Confession Of Madness
4. Hatred
5. Interludium (Begging For Mercy)
6. Prophecy
7. Memories Of Tomorrow
8. I, King, Will Come
9. The Final Deluge
10. Epilogue
11. The Gnom (bonus)
Following the conventions of its precedessor, Mekong Delta's second release
The Music Of Erich Zann was also something of a concept album, this
time deriving inspiration from HP Lovecraft's classic horror tales. The
production is razor sharp and slightly more refined than previously. While the
first three tracks alone are prime examples of technical thrash metal of the
highest order, this album on the whole sounds a bit less coherent than the
band's debut, especially towards the end. Whereas the sound of Mekong
Delta was somewhat more organic and physical with a slight rough edge,
The Music Of Erich Zann has almost a clinical approach. This is not to
say that the result would pale in comparison, but it probably appeals to a
slighly different taste. Despite the band's more complex ambitions starting to
show up, for the most part the second Mekong Delta album still caters to the
same audience who were attracted by the sound of the band's first release.
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1. A Question Of Trust
2. The Principle Of Doubt
3. Once I Believed
4. Ever Since Time Began
5. Curse Of Reality
6. Twilight Zone
7. Shades Of Doom
8. The Jester
9. El Colibri
10. No Friend Of Mine
With The Principle Of Doubt Mekong Delta definitely lost their focus
for a while. This album is without a doubt one of the band's most technical
as well as diverse recordings, at the cost of memorable or even reasonably
coherent songs. Many of these arrangements sound just way too quirky and
chaotic, and you may be left downright puzzled after hearing this album for
the first time. While many tracks are at least sufficiently thrashy efforts,
their disjointed structures do no good in the long run. It is revealing that
the best track Curse Of Reality is actually from the weirdest side of
the album with a haunting, almost nightmarish feel - while the song is pretty
much far out from a typical thrash metal point of view, it remains one of the
most hypnotic pieces ever. If you like mental challenges then The
Principle Of Doubt is certainly worth a second look, but be warned that it
may give you a lot more than you wished for.
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1. Dances Of Death
a. Introduction
b. Eruption
c. Beyond The Gates
d. Outburst
e. Days Of Betrayal
f. Restless
g. Sanctuary
h. Finale
2. Transgressor
3. True Believers
4. Night On A Bare Mountain
After the disoriented feel of The Principle Of Doubt, it was more than
appropriate that Mekong Delta returned to a lot more focused direction in
their music. Dances Of Death (And Other Walking Shadows) must be one of
the band's most consistent and stylish releases to date. The first half of the
album is consumed by the multi-part title track Dances Of Death, the
most ambitious composition of nearly 20 minutes that miraculously avoids all
moments of dullness or disjointness. Preceded by a deceivingly subtle intro,
Eruption is almost enough to drop you off the chair, and there is only
more of the same to follow. As the second half of this release is not a
let-down either, the result is near a perfection of the style that was
introduced on the band's debut album and The Music Of Erich Zann, in
other words, high-speed thrash metal played with admirable precision and
imagination. In addition, Dances Of Death (And Other Walking Shadows)
restores confidence in the fact that such a skillful presentation can be
highly memorable, too.
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1. Society In Dissolution
2. Purification
3. Immortal Hate (Accepting Prayers Of Supremacy)
4. Allegro Furioso
5. Rules Of Corruption
6. Ratters (Among The Dead)
7. Moderato
8. Defenders Of The Faith
9. Symphony Of Agony
10. Allegro
Twenty years has passed since Mekong Delta's debut release, and suddenly the
band resurface with a new line-up and an album that could be a direct
follow-up to Dances Of Death if it weren't for a couple of less
speedy but increasingly progressive offerings released in between. Lurking
Fear reaches back to the band's prime era of technical speed/thrash metal,
actually so much that at its best this album successfully reconstructs the
unique outerworldly feel of The Music Of Erich Zann. From the very
first notes, this recording is immediately recognizable as a Mekong Delta
production, as no other band could ever sound like this. The first three
tracks alone justify the existence of Lurking Fear, with their
intriguing and captivating sound penetrating your senses in a flash, and the
rest is nowhere near dull either. The difference between Mekong Delta and the
murkiest depths of the thrash metal genre is nothing short of drastic, but if
you ever need to present a prominent example of speed/thrash metal as close to
an art form as possible then this is the way to go.
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1. Ruins
2. Red Skies
3. Cluster Bombs
4. Twisted Fate
5. Journey Into The Evil Control
6. Emptiness Minds
7. Denied Illusions
8. The Sentence
9. Chosen Sacrifice
10. Rise Of Deception
11. Unconscious Violence
Although Red Skies may at first look like a complete cliche bomb waiting
to explode, it quickly becomes obvious that this album has a bit more going for
it. Mental Devastation's approach to the genre is not really among the worst of
its kind - above all, the band's sound is very energetic, uplifting and
spirited, a good example of having a healthy level of genuine enthusiasm and
letting it also show no matter how typical the music might otherwise be. The
guitar is well done, the general performance quite lively, and most of the
songs just fit the bill better than actually expected. Surely this release is
not going to advance the western civilization a single bit, but sometimes it's
enough to have just a dose of honest thrash metal done in the right way.
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1. Prelude To Violence
2. Necrohooligan
3. Mosh Pit Maniac
4. The Thrash Brigade
5. Schizophrenic
6. Lunar Chaos
7. Politisize
8. Leatherface (Watch Me Die)
9. The Thrash Brigade (extended version)
On the surface, Mentally Defiled's The Thrash Brigade doesn't raise any
high hopes in advance. But although there is some truth to the idea of viewing
this kind of releases as curiosity items at best, it would be too easy to write
the whole thing off as completely unnecessary. The band play well, some of the
riffs are not half-bad, and everything sounds reasonably tight. The biggest
problem is just that the music does not have much personality of its own. If
you are expecting stereotypical and unsurprising thrash metal, not to forget
about some awfully cheap looks, then it's probably safe to say that this album
is spot on. While it may be sometimes difficult to see the point of recordings
like this, maybe some day The Thrash Brigade, too, will be a highly
sought collectors item. Either that or a total oblivion, whichever seems more
likely.
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1. Slaughter Lord
2. Deadly Assault
3. Command Death
4. Burn In Hell
5. Exumer
6. Act Of Violence
7. Final Slaughter
8. Ready To Kill
Merciless Death's debut release is short, consistent and to the point. Evil
In The Night has a fairly memorable style that resembles Slayer from the
early 1980s put on overdrive. The guitar in particular is well done while
the vocals are in a league of their own, appearing quite funny more often than
not, intentional or not. Lyrically this album is full of your typical violent
cliches, far from clever but also not much worse than on average in the scene.
The songwriting is awfully predictable though, and after you have heard the
first track the rest is going to sound exactly the same. It is still not too
bad for a dose of thrash metal in a slightly humorous vein, and in the end
Evil In The Night can be something of a guilty pleasure - if nothing
else, it may give you a healthy urge to go back to those early Slayer albums
and better appreciate how good some of them actually sound even today.
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1. The Abyss
2. Realm Of Terror
3. Evil Darkness
4. Tombs Of The Dead
5. Death Warriors
6. Cult Of Doom
7. Tormented Fate
8. Fall To The Pentagram
9. The Gate
10. Summoning Of The Ancient Ones
Realm Of Terror sounds almost immediately more serious than Evil In
The Night, mainly due to the more sinister vocal tone and somewhat grittier
production. Essentially Merciless Death succeed in making a more convincing
impression than before, but there is still something in their style that can
occasionally put a grin on your face. As the album again fails to break even
the half hour mark, it is not likely to draw you into boredom too easily even
though the songs lack the most evident hooks this time around. Then again, the
music does not sound quite as repetitive and cheesy as Evil In The Night arguably
sometimes did. Although Realm Of Terror may not appear as cute as the
band's debut, it seems to have some more long-time value that can prevent the
album from growing old too rapidly.
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1. Hymn To Abramelin
2. Messiah
3. Anarchus
4. Space Invaders
5. Thrashing Madness
6. Future Agressor
7. Empire Of The Damned
8. Total Maniac
9. The Dentist
Evidently Messiah in their early form stood on the more energetic and
unrestricted side of the thrash metal scene. Hymn To Abramelin contains
some undeniably wild moments, largely due to the unforgettable vocals that more
often than not can resemble the ravings of a lunatic, although the group as a
whole didn't hold back either. For some reason the band saw it appropriate to
fill the spaces between tracks on the first release with short spoken aphorisms
which honestly sound incredibly hokey but fortunately not too distracting. Even
though Hymn To Abramelin can be a bit rough around the edges, and a
couple of tracks might have benefited from a higher pace, the debut release of
Messiah manages to leave something of a positive aftertaste.
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1. Extreme Cold Weather
2. Enjoy Yourself
3. Johannes Paul Der Letzte (Dedicated In Hate To Pope John Paul II)
4. Mother Theresa (Dedicated In Love To Mother Theresa)
5. Hyper Borea
6. Radezky March: We Hate To Be In The Army Now
7. Nero
8. Hymn To Abramelin (live)
9. Messiah (Extra Version) (live)
10. Space Invaders (live)
11. Thrashing Madness (live)
12. Golden Dawn (live)
13. The Last Inferno (live)
14. Resurrection (live)
15. Ole Perversus (live)
With their second release Messiah created a collection of unique music that
still remains pretty much unparalleled even today. The opening title track of
Extreme Cold Weather must be among the most atmospheric and outerworldly
compositions ever heard, a manifestation of creative insanity, and other songs
are not too far behind. Therefore it may be a slight pity that most lyrics on
this album can appear fairly silly, even more so considering the fact that the
music would be otherwise a near-perfect match for literal depictions of
Lovecraftian horrors at the mountains of madness. Excluding the live tracks
that form the second half of the original release and have quite a raw sound
quality, the overall feel of Extreme Cold Weather is wonderfully dark,
inspired and stylish, which makes it practically a total opposite of the vast
number of more stereotypical works in the genre.
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1. Messina
2. Attempted Suicide
3. Nothing Will Change
4. Terrortory
5. Who's For Dinner
6. Drop Dead
7. Deathrow
8. Ritual Killings
9. The Commencement
Basically Messina were just another Dutch thrash metal band appearing in the
late 1980s, but the sound of their full-length album Terrortory is
more convincing than you might expect, very heavy and gritty. Messina's style
somewhat resembles their fellow countrymen Sacrosanct, complete with strong
vocals and heavy but repetitive riffs. Of course, there are few innovations on
this album, but the band put enough power into their music to make it fairly
notable. The songs are mostly very derivative and not too memorable on their
own though the aggressive, energetic delivery almost makes up for it. As a
whole, Terrortory is a bonecrushing heavy piece of work, just slightly
dull at times, and with some more original songwriting it could have made a
bigger impact. Now the result is just a bit too weary despite the good attempt
behind it.
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1. Darkest Days
2. Arbitrary
3. Perpetual State Of Aggression
4. Sick Of It All
5. Six String Suicide
6. Slave Of Darkness
7. The Feeder
8. Omnicide
9. Machines Of War
10. The Impending Holocaust
If it's about a lot of riffs in a good taste that you are looking for then
Metal Militia's Perpetual State Of Aggression delivers. While this album
must have been something of a curiosity item at the time of its release, there
is some rather smooth, not to mention consistent riffage here that sounds good
even today. The speed varies a lot, yet the band seem to have had a coherent
style of their own. The slowest tracks are easily the most dragging part of
this recording, though. Another drawback is that the vocals could have used
more development, now sounding sort of immature at times, which on the other
hand is understandable due to the band's young age on average when this release
was put out. In summary, there's nothing really new here, but if an album of
well-played thrash metal sounds fair enough then you could choose a lot worse
than this.
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1. Trails Of A Blood Storm
2. Peace In Pieces
3. Thrashing The Betrayers
4. Alcoholic Madness
5. Electric Homicide
6. Metalizer (The Thrashing Force)
7. Emptiness
8. Bleed By My Fist
9. Silent Desperation
It is sort of amazing how there can still be bands who name their releases and
songs "thrash this and thrash that", as if their supposed audience just fell off
a potato truck or something. But when the band in question is called Metalizer,
you probably have to be prepared to accept some stereotypical cliches anyway.
To be fair, The Thrashing Force sounds a lot less cheesy than it looks,
the presentation is sufficiently convincing and by no means weak, if a bit
simple. The vocalist's output is actually of such commendable strength that it
would easily improve a few other contemporary albums around. It's just that
regarding certain worn-out antics the cup ran over a long time ago. Points for
the surprise element of Silent Desperation due to its unorthodox start,
yet coming only at the end of this album it feels more like a band-aid on a
gaping axe wound.
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1. Hit The Lights
2. The Four Horsemen
3. Motorbreath
4. Jump In The Fire
5. (Anesthesia) - Pulling Teeth
6. Whiplash
7. Phantom Lord
8. No Remorse
9. Seek & Destroy
10. Metal Militia
Together with Slayer's Show No Mercy, Metallica's Kill 'em All is
the grandmother of all thrash metal albums ever released and therefore deserves
an extra deal of respect. It may be useless to comment on the musical aspects
of this debut as everyone and their dog must know it more than well enough by
now, but it is still interesting to notice how many of the band's
characteristic features were already present on this recording. For such an old
release, the sound is very sharp and clear if somewhat raw especially in the
vocal department. In comparison to Metallica's later works, Kill 'em All
can seem a bit simple today, but it proves that the band had a clear direction
from the very beginning.
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1. Fight Fire With Fire
2. Ride The Lightning
3. For Whom The Bell Tolls
4. Fade To Black
5. Trapped Under Ice
6. Escape
7. Creeping Death
8. The Call Of Ktulu
After their essential debut release, Metallica took a leap to the absolute top.
Ride The Lightning is the band's most beautiful moment and nearly a
perfect album in every sense of the word, one of the very best ever. It is
impossible not to admire the marvelous production which is incredibly heavy yet
fully clear. Very appropriate for the theme, listening to this recording feels
like being absorbed in a massive thunderstorm that keeps revolving around you,
sending bolts of lightning everywhere. The powerful and darkened feel of the
music is just unmatchable. From the pummeling Fight Fire With Fire to
the epic The Call Of Ktulu, this album is ahead of everything else
released during the early years of the genre, and something that Metallica
should have always been.
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1. Battery
2. Master Of Puppets
3. The Thing That Should Not Be
4. Welcome Home (Sanitarium)
5. Disposable Heroes
6. Leper Messiah
7. Orion
8. Damage, Inc.
With Master Of Puppets Metallica released something that would become
widely known as their magnum opus. At this point the band's style had already
changed to significantly more refined, massive, and complex than on Kill 'em All.
It can be argued whether all this development was necessarily for the better,
though. While Ride The Lightning was quite feverish and passionate,
this album sounds a lot more melancholic and analytical. The overall sound is
very classy and dry, even pompous at times. A couple of faster pieces have a
touch of violent charm, but for the most part Master Of Puppets contains
rather ponderous tracks. In comparison, Ride The Lightning still tends
to sound a lot more energetic and exciting.
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1. Blackened
2. ...And Justice For All
3. Eye Of The Beholder
4. One
5. The Shortest Straw
6. Harvester Of Sorrow
7. The Frayed Ends Of Sanity
8. To Live Is To Die
9. Dyers Eve
...And Justice For All was an honorable end to Metallica's pioneering
work in the 1980s and possibly their darkest hour ever. The general tone of
this album is simply beyond depressive, making it probably a great choice for
suicide music. The production is an interesting mix of bare sounding drums and
bass-heavy guitars, which gives the recording quite an original feel. The songs
are a bit uneven in quality, though. For example, Blackened, the title
track and Harvester Of Sorrow could be some of the most wicked and
memorable Metallica songs ever, not to forget about Dyers Eve that
seriously goes for the speed record. On the other hand, there are also a couple
of plodding or just fairly pointless pieces that somewhat hinder the overall
impression. Nevertheless, in the end ...And Justice For All is a very
satisfying release from this band, even more so when their later career is
considered.
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1. Speed Metal Machine
2. Banish The False
3. Kill The Oppression
4. Misanthropic Way
5. Motor Banger Man
6. Weapon Of Truth
7. Medicinal Sickness
8. Forca Alcoolica
While a mere glimpse of the cover art of Satanic Machine could bring
connotations of a poor man's Voivod to mind, the reality is a lot less
thrilling than that. Metraliator's debut album features thrash metal that is so
commonplace it is not even amusing anymore. There is no reason to complain
about the production, or any technical aspects for that matter, yet this album
effectively lacks something fundamental. The vocalist demonstrates a
respectable wild attitude, but that aside there is no single detail that would
make this band's output distinguishable from a gazillion other releases in the
scene. It is just too generic and predictable more often than not. When the
whole album is also severely too long, you can be sure that the outcome is
going nowhere near the top of the recommendation list.
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1. No Way Out
2. Life In Flames
3. Disorder
4. N.M.I.
5. Another Brick In The Wall
At least in Metralion's case you could easily see where the band originated
from. Otherwise it could be hard to guess, as A Mosh In Brazil is very
unsurprising in almost every aspect, excluding the odd Pink Floyd cover
Another Brick In The Wall. While the first moments of this recording
may give at least a semi-promising impression, it is really the most typical
brand of thrash metal that these songs are ultimately based on. Not only that,
but a bit too many tracks on this short release seem to wander around
aimlessly, which does not exactly make the listening experience worth
remembering. If you happen to be a dedicated collector who must obtain every
thrash metal album ever released then this is one more rare item to hunt for,
but most others can probably live without it and not lose anything important.
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1. Then Came The Killing
2. Ancient Terror
3. The Final Holocaust
4. Frozen Soul
5. Distant Death
6. Prevention Necessary
7. Where Death Begins
8. The Cross Of Torment
9. Inner Devastation
Despite hailing from Sweden, Mezzrow got quite a typical American sounding
production, and the style of Then Came The Killing is very close to
Testament. The production is laudably heavy with an emphasis on guitars and
strong, powerful vocals. As for songwriting, it can be best described as
consistent - songs are based on some rather basic but effective riffs with no
particularly good or bad points. The tracks are admittedly a bit samey for a
full-length release, but on the other hand this just makes the album sound more
focused and better on the whole. Like said, the production is very good and
fitting for this kind of music and helps the result quite a lot. Then Came
The Killing is, if not too exciting, at least a reasonably solid and heavy
thrash metal album.
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1. The Arrival
2. Forcibly Incarcerated
3. Sinking Censorship
4. When The Boot Comes Down
5. True Believers Inc.
6. Reminiscence
7. Sepulchral Epitaph
8. Lost Paradise
9. Accessory Before The Fact
10. Aceldama - Terminal Breath
11. Subhumanity (A New Cycle)
Midas Touch made a fairly interesting entry in the field of technical thrash
metal with their only release. Presage Of Disaster bears a strong
resemblance to Coroner's early albums although the clean vocals are obviously
quite different. This does not mean a lack of intensity, as the music here is
about as heavy as anything out there, despite the songs having a considerable
amount of variety in them. While the band's sound can be a bit dry and not
always fully focused, at least it shows a decent amount of originality.
Presage Of Disaster is a refined and even intriguing technical thrash
metal album - not too remarkable or anything, but it's been made well enough.
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1. Into The Temple
2. Fierce Fight
3. Incubus
4. Maggots In My Body
5. Apocalyptic Trials
6. Prelude / Necromancer
7. The Power Of Darkness
8. Brainhead
9. Fall Of The Gods
10. Savage Aggressions
As an example of some of the most extreme traits in the German school of thrash
metal, Minotaur's Power Of Darkness can be sort of valuable from a
historical perspective. The style of this album is comparable to the earliest
works of Kreator, Necronomicon and the like, with a violent and rough sound
that almost completely lacks technical finesse but somehow manages to avoid
collapsing into total chaos. When the scene at the time was getting
increasingly crowded by usually much more refined acts of American origins,
Minotaur's unpolished and raw, sometimes near barbaric tendencies represented
something of a counterbalance. Let it be said that listening to this release
can be quite an unpleasant and even intolerable task for those people who are
not accustomed to this kind of crudeness, but if you're looking for things that
go against certain conceptions of good taste, this one might turn out
interesting to say the least.
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1. Welcome To... Multi Morbidity
2. State Of Catatonia
3. We Hate You
4. Wish You Were Dead
5. Headcrash
6. R.A.T.
With Welcome To... Minotaur's style briefly transformed into something
surprisingly different from Power Of Darkness, especially in the vocal
department that sounds a lot less nasty and more controlled than on the band's
debut release. In many ways, this mini album is a more typical offering in the
genre, and the content may not exactly stand out in either good or bad. You
should be able to listen to these songs with little effort, but there is
probably no great impact due to any of it. Welcome To... is in no way a
remarkable release, most likely a source of some brief entertainment at best,
but at least it proves that Minotaur were actually capable of developing their
music into various directions.
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1. Armegiddo
2. Rather Die
3. Full Speed Ahead
4. Princess Of Hell
5. Cannonballfire
6. Soulless
7. Damager
8. It's War
9. Into Oblivion
10. Tales Of Terror
11. Animal (Fuck Like A Beast)
Truth to be told, when it's been twenty years since Minotaur's debut release,
one might not have expected God May Show You Mercy... We Will Not to
sound almost exactly the same as Power Of Darkness. The production is
naturally at least a bit better and heavier than in the past, but otherwise
it's like the mini album Welcome To... never happened. This is not
necessarily a bad thing, however, as from today's point of view Minotaur's grim
style is hardly going to offend anyone anymore, quite the opposite. Still, in
the end it is probably difficult to recommend this release to other than those
who are already familiar with the band's original style and therefore fully
know the name of the game in both good and bad. Not to mention that the closing
W.A.S.P. cover song is only a curiosity item at best.
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1. Land Of Tyranny
2. Imminent Conflict
3. Warhound
4. Eternal Beasts
5. Killing Spree
6. Triumph Of The Villain
7. Never Dead
As a sign that thrash metal has evolved into a form of "world music" over the
years, Triumph Of The Villain is initially fairly interesting but
eventually ends up just another standard addition to the ever-growing pile of
basic thrash metal. Musically there is little difference between this and
typical western products in the genre, while the sound quality is a bit rough
around the edges but still acceptable. Mainly it can be rather difficult to
find any great virtue in this kind of generic execution of the style. Then
again, the album is pretty short so you won't be wasting much time anyway even
if the content isn't exactly to your liking.
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1. One Brain
2. Feed The Machine
3. L.S.D. (Lead Singer's Disease)
4. Negative Minds
5. Offensive Release
6. The Buffalo Song
7. It Is So
8. Death Revealed
9. Order Thru Kaos
10. Vicious Smile
With a name like Mobile Deathcamp, it is clear that this band's motives were
not about making it big in country music. Black Swamp Rising is an
unapologetic slab of anarchistic thrash metal with a curious redneck feel. The
album does not really conform to stereotypical rules of the genre, and it
carries an appropriately rough yet refreshing tone of its own. Except for an
odd tribal track The Buffalo Song, the content is pretty consistent and
credible. While it is not the catchiest stuff around, there should be no danger
of boredom as most tracks (as well as the whole album) are quite short.
Black Swamp Rising is not exactly a highly commendable recording, but it
certainly makes a welcome exception from the most ordinary traits in the scene.
Note:
The original self-release of this album has different packaging than the newer
official re-release.
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1. Dancing On Your Grave
2. Hour Of Destruction
3. Speed Up
4. Blind Faith
5. Red Bitch
6. Our Love
7. Innerself
8. Shattered Faith
9. Medial Shit
10. Scream
11. Raining Blood
Monastery's Thrashing Pictures is an inconsistent affair. The album
starts off effectively with a couple of nifty tracks like Dancing On Your
Grave and Hour Of Destruction that easily catch your attention. The
female vocals stick out in a positive manner, although their tone could have
been a bit heavier instead of the current punkish vibe. But somewhere near the
middle of this album fatigue creeps in. Although Our Love is a fair
ballad, it seems out of place here. In addition, the band had the nerve to
record the most unnecessary cover versions of two very well known Sepultura and
Slayer staples, both of which do not exactly live up to the originals and only
break the mood of an otherwise promising release. Thrashing Pictures
does contain a fair share of worthy songs, but it seems that it could have been
made even better with some healthy trimming of content.
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1. An Act Of Violence
2. Streetwise
3. Hate War
4. Premeditated Murder
5. No Mercy
6. The End
7. Persecution
8. A Change In Two Directions
9. When The World Dies
Irish thrash metal was not totally non-existent in the old days, that's what
Moral Crusade's An Act Of Violence is a solid proof about. Right from
the start, this album sports a nice sound quality with chainsaw-like sharp
guitars, almost perfect for this kind of fast thrash metal. The title track is
a refreshing opener, and it effectively sets an energetic though also a
slightly repetitive mood for the whole album. Apart from this one example,
there are not too many memorable individual pieces to be found here, but the
general feel remains sufficiently powerful and satisfying until the very end.
Even though the songs mostly just variate some simple elements, the drive of
the band is strong enough to win you over, and the music never gets too dull.
An Act Of Violence has all the basic blocks firmly in place, something
you cannot say about a random album too often.
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1. Warlust
2. Slaughtering
3. Funeral Pyre
4. Empty Graves
5. Deviant
6. Castle In Pain
7. Night Assassin
The looks of Morbid Carnage's Night Assassins don't necessarily make a
promising impression, but the band cannot be completely ignored as yet another
pointless retro thrash metal act. Right at the start it becomes obvious that
this release is on the more frantic end of the spectrum, especially the
aggressive vocal delivery adds to the music by a fair amount. While there was
probably not much imagination lost in the songwriting process, some of the most
intense moments are quite memorable after all, and the band's energy comes
through sufficiently unfiltered and credible. As a whole this album may not
quite hold water in the long run, but apparently Morbid Carnage did at least
something right in their music as Night Assassins is not a totally lost
cause.
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1. Beyond The Grace Of God
2. Werewolf Legions
3. Triumph Of Evil
4. Lamb Blood Bath
5. Turn The Crosses Down
6. Far Away From Heaven
7. Vengeance Of Ghouls
It would seem to go against common sense that shamelessly unoriginal bands like
Morbid Carnage could produce something valuable, but Merciless Conquest
is yet another proof that a dedicated performance can do miracles against all
odds. Despite being a complete cliche of thrash metal, this album is very
listenable, an eager and well presented piece of relentless thrashing with
virtually no dead moments. Granted, after the first couple of tracks the rest
of this recording keeps repeating the same tricks and the level of variety is
really not that high. But what can you do when the whole album rushes forward
like a bloodthirsty wolfpack closing in on their prey. Between this and some
other, much more indifferent and generic thrash platters, the choice should be
clear.
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1. Lock Up Your Children
2. Burned At The Stake
3. Assassin
4. Damien
5. Crying For Death
6. Spectrum Of Death
7. Scars
8. Beyond The Gates Of Hell
This album is quite a rare treat indeed. With some truly vicious vocals and
the nastiest riffs, Morbid Saint's Spectrum Of Death must be one of the
more ferocious old thrash metal albums you can find. The vocalist sounds
positively feral and couldn't better fit the band's style. The production
could be a lot better, though, but that cannot be helped. It is not so bad as
to actually distract you from the music, anyway. As a whole this album is very
consistent and almost every track has the same level of intensity from start
to end, the most explosive tracks like Lock Up Your Children,
Damien and Crying For Death being just slightly more distinctive
from the rest. With better production values and some actual distribution in
the first place, Spectrum Of Death could have become better known also
outside the groups of the most dedicated collectors, now one actually needs to
really search for it. Definitely worth the effort, still.
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1. Rigor Mortis
2. Hopeless
3. Witness (Desolation Of My Generation)
4. Human Degradation
5. You Die (Nothing To Say)
6. The Creep In My Grave
7. Dead Gods
8. Ratkill
Despite the time it took them to release a full-length album, Morfeus were not
exactly a latecomer in thrash metal. As another representative of the
Brazilian scene, Disbelieved World may sound slightly familiar to some
people, but most of the time this record proves itself worth genuine interest.
The production adds to the "live" feel of this album in a notable manner, and
some rougher corners are compensated more than enough by the audible juveline
energy of the band. Rigor Mortis is quite a powerful and frantic
starter with several more tracks following in the same vein. Probably the most
important element of this album is the general uplifting quality of the band's
sound, which on the other hand leads to quite an amusing contrast with the
conventional dark lyrics - the impression is really way more gleeful than
gloomy. While it may have been overshadowed by many more famous releases in
its time, Disbelieved World sounds like a fun effort on all grounds.
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1. Here We Are
2. Next Level
3. My Revenge
4. Wake Up Horror
5. Scars Of Life
6. Conscience
7. Hatred
8. Respect
9. Dying Inside
10. In The Line Of Fire
Among the bands that somehow manage to avoid the public spotlight on a regular
basis, Mortal Remains cannot be completely labeled as just another forgettable
generic act. Next Level can admittedly appear quite dry and bare, with
no prominent features other than hoarse female vocals, and the overall picture
is rather mundane. But although the band's music hardly captivates a casual
listener right away, there is something to this album that may grow on you the
further you get into it. Using Conscience as an example, some tracks
especially during the second half start off sounding pretty ordinary and then
build up momentum to a respectable degree almost by surprise. The foremost
impression that Next Level gives may be unremarkable, even dull to some
people, but there is a thing called credibility that this album demonstrates to
a greater extent than some other more flashy works these days.
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1. The Curse
2. Women In Leather
3. Lebanon
4. Liar
5. Blood, Death, Hatred
6. Mortal Slaughter
7. Into The Fire
8. Mayhemic Destruction
Probably the best known speed/thrash metal performer from Australia ever,
Mortal Sin caught some serious attention with their debut album. Mayhemic
Destruction has a laidback, rhythmic sound that was quite characteristic
for the band. The music is certainly not the heaviest or fastest around, but
somehow the relaxed, almost uplifting feel starts to win you over after some
listening. Considering their style, Mortal Sin were not that different from
their American counterparts of the time, except for their "happy" sound. As a
memorable exception from the more easy-going material, the heavy and frantic
title track is a definite highlight of the album. While Mayhemic
Destruction is not the most classic release of the 1980s, it has its
fair share of good moments.
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1. I Am Immortal
2. Voyage Of The Disturbed
3. The Infantry Corps
4. For Richer For Poorer
5. Martyrs Of Eternity
6. Innocent Torture
7. Suspended Animation
8. H
9. Terminal Reward
10. Robbie Soles
The second album of Mortal Sin was a direct follow-up to their laidback yet
vigorous style started on the first release. While Face Of Despair
features somewhat better production and technically improved songs, it
preserves much of the feel of Mayhemic Destruction. The material is a
bit less distinctive than previously, but on the other hand the quality of
songs is more consistent, and the overall feel of this album is very coherent
and relaxed even though there are no such highlights as the title track of
Mayhemic Destruction. All in all, Face Of Despair is not an
important album by any means, but it definitely makes a nice, uplifting
listening experience.
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1. Psychology Of Death
2. Blood Of My Enemies
3. Paralysed By Fear
4. Burned Into Your Soul
5. Deny
6. Doomed To Annihilation
7. Kingdom Of Pain
8. Down In The Pit
9. Hatred
Mortal Sin's Psychology Of Death must be one of those releases that most
people couldn't claim to have seen coming. With more than twenty years since
the days of Mayhemic Destruction and Face Of Despair, excluding
a few forgettable haphazard efforts in between, the sound of the new album is
surprisingly powerful and convincing. Naturally it is also different to some
extent, most notably a lot heavier than the band's older works, but it is still
solid traditional thrash metal that we are talking about here. Even though this
recording is practically comparable to a dead man walking against all odds, the
level of maturity and sheer street credibility is light years ahead of the
majority of more recent acts - and that alone is already worth an honorary
mention.
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1. Psychotic Paralysis
2. Black Domain
3. Guilt After Life
4. Justice Of Mind
5. Ironic Trust
6. Inhuman Effective Terror
7. Chains Of Life
8. Mortal Threat
9. Protest And Survive (bonus)
The first few minutes into Psychotic Paralysis can turn out slightly
surprising. Even though Mortal Threat's debut release contains some fairly
basic thrash metal, the steady high tempo on the first couple of tracks pulls
the right strings to draw your attention. The songs are generally quite short
and compact, which admittedly helps in driving the message home. For a
full-length album the style is arguably a bit too one-dimensional and unvaried
to make the initial favorable impression last, but the result is still not too
bad for the band's first effort. If anything, it shows that they already got
the basics right.
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1. Euthanasia
2. Illusions Of Life
3. Hangman's Confession
4. Power And Might
5. Crematory's Yard
6. Phantasm
7. Abyss Of Damnation
8. Hells Visions
9. Breaking The Law
Starting from Euthanasia, Mortifer have been long-timers in Russian
thrash metal. With a highly consistent style as on all this band's recordings,
their debut release has even a certain monotonous feel to it. There is simply
not that much variation to speak of, the cover version of Judas Priest's
Breaking The Law being the biggest deviation from the rule. The band's
original material is handled in a professional manner and you can expect a
reasonably tight performance on every song, it's just that as a whole
Euthanasia sounds like a fairly standard thrash metal album. In other
words, Mortifer's output is not likely to cause you great pains due to hearing
inadequate work or anything like that, you will probably just realize before
soon that not too many creative thoughts about riffs were lost in the process
of making this album in the first place. Not to say that the result still
wouldn't have some value of its own.
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1. If Tomorrow Comes
2. I'm Your Fear
3. Fatality Insane
4. Slave Of Fate
5. Crematory's Yard
6. Sea Of Tears
7. Realm Of Shades
8. Don't Say Never
Despite a long period of inactivity in the release front after
Euthanasia, Mortifer's If Tomorrow Comes came out very similar
to the band's previous works. It is essentially the same familiar formula put
into effect, but it tends to sound a bit tighter this time, giving this album
a fine edge over its predecessor. This may be at least partially due to the
more consistent high tempo as well as the production that now has a slightly
grittier feel than on the debut. The impression is still undeniably
one-dimensional more often than not, the only major exceptions being the
routine cover version of Running Wild's Realm Of Shades and the
surprisingly mellow ballad Don't Say Never at the end. Let's just say
that in case of Mortifer you can be sure of what to expect from each album,
and except for a couple of tracks this principle fully applies to If
Tomorrow Comes, too.
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1. Blind Faith
2. A Day Of Reckoning
3. Beggar
4. Please Your Master
5. Dance With Death
6. Empire Of Madness
7. Misanthrope
8. Cannon Fodder
9. Somebody Put Something In My Drink
Even if there was no information about the performer available, it probably
wouldn't be too hard to guess it right when Mortifer's Blind Faith
starts to play. The band's style has not changed a bit, and despite being far
from original it is pretty easily recognizable. In many ways this album is
as good or bad as any other release from Mortifer, with rather repetitive
riffs and monotonic vocals, songs being still carried out with no signs of
sloppiness. One can only imagine that some other bands would drop this kind
of unvaried, even dull compositions already in the jamming phase since they
couldn't remember how to distinguish between them for life. Ending with yet
another cover song (from Ramones), Blind Faith plays fairly nice and
tight as usual, but in all honesty, at this point Mortifer could be almost
compared to Tankard as one of the least progressive bands in thrash metal.
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1. Marching To Die
2. Total Darkness
3. Better Escape
4. Experimental Hell
5. Until The End
6. Place Of Unknown Graves
7. Deliverance From Disgrace
8. Guilty
9. Killed By Destiny
10. Nuclear Demon
11. Digital Bitch
12. Into The Fire
13. Shot Down In Flames
14. Come Together
Despite its modern looks, Total Darkness is musically no different from
Mortifer's previous works in the slightest. From the very first notes, the dark
and unvaried tone is very much the same as in the past. The most noticeable
composition of the band's own may be the balladish Guilty, and this is
only because it differs from the rest at least a little bit. But the biggest
deviation from the norm can be found at the end of this album - already on
their debut release Mortifer established a habit of including at least one
cover song, and this time there is a whole lot of four cover versions of other
bands' songs. The origins vary from Black Sabbath to Beatles, and although
these tracks seem kind of pointless, one must admit that this album would have
been an awfully boring experience without them. Of course, this is not exactly
a compliment on Mortifer's original material here.
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1. Cybernized
2. Recharge Of Morality
3. Tower Of Wisdom
4. Ivan The Terrible
5. Cryogenic Dream
6. Re-generation
7. Roll The Dice
8. God Kills The Towns
9. Agony Is Wired
The fact that Cybernized is Mortifer's fifth release is actually rather
impressive based on the face value only, as the band's monotonous style already
in the very beginning didn't show much promise for a career this long. Against
all expectations, this latest offering so far can be fairly listenable as long
as certain inherent limitations are properly discounted. The opening title
track even appears quite hard-hitting at first, although most other songs
repeat the same maneuvers almost unchanged and eventually the initial effect
kind of goes to waste. The whole package still makes a better impression than
the previous couple of releases from the band, as the flow is generally
smoother and less tedious, and the album is not overlong. It might be too
far-fetched to give an outright recommendation, but if you had to pick one
Mortifer release to listen to, Cybernized would make a good candidate.
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1. Mountain Killings
2. Dead By Dawn
3. Black Plague
4. Viking Rampage
5. Wizard Trees
6. Desert Holocaust
7. After The Fall Of Man
8. Underground Noise
9. Vocal Struggleeeee
As a thrash metal album, Mortifier's debut release may be quite basic and
uncomplicated, but that's only a good thing in this case. Despite being the
first serious piece of work from a young band, Underground Noise doesn't
seem like a hurried job. Quite the opposite, the outcome suggests that existing
capabilities and limitations were well understood during the recording process,
and the effort was tailored to fit these conditions. As a result, this album
is a lot more coherent than some other recent debuts. The band's sound is
sufficiently credible, focused and aggressive, and leaves little to be desired.
All songs are pretty short, therefore the product as a whole is not too dull
either. While there are not too noteworthy individual tracks, Mortifier could
have done so much worse that Underground Noise is almost a small
positive surprise.
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1. Reality Control
2. The Peoples Temple
3. Nails In The Coffin
4. Into The Abyss
5. Death Brings Life
6. Exodus Earth
7. Tortured By The Night
8. Anatomies Undone
9. Untold Terrors
There is no great difference between Anatomies Undone and Mortifier's
first release, which can be only expected as the band's sound was quite
complete already in the beginning. Maybe the output is a bit more refined than
previously, apart from that this album is almost an equally solid example of
elementary but well-made American thrash metal in contemporary times. While
these songs don't exactly open any new paths in the field, Mortifier managed to
tackle the problem of making listenable thrash metal in a fairly strong,
convincing and uncompromised way. Obviously something was done right after all,
as this album seems to wear out at a slower pace than many other average
releases of the same kind usually do.
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1. Murder Death Kill
2. Sacrifice
3. Evil Remains
4. Fritzl's Cellar
5. Outbreak
6. Despised By Blood
7. Countless Suicide
8. Voracious Undead
9. Without Weapons
10. Mortal Artillery
It might be too far-fetched to call Mortillery's Murder Death Kill
outright delightful, but this recording does have a certain likeable feel to
it. The band's speed/thrash offering sounds slightly punkish and even homespun,
which actually makes it appear a bit more "real" in comparison to some sleeker
studio productions available nowadays. As for the female vocals, they manage to
bring memories of some very early Battlefield and Detente recordings to mind,
being more than sufficiently powerful for the music. With nearly non-stop speed
and generally an energetic and brisk attitude, Murder Death Kill gives
an impression of a band that could be a great act to witness playing live some
day.
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1. Battle March
2. No Way Out
3. Cease To Exist
4. Creature Possessor
5. Seen In Death
6. Feed The Fire
7. The Hunters' Lair
8. F.O.A.D.
9. Maniac
10. Sunday Morning Slasher
Mortillery's first release was sort of refreshing for its brand of natural
sounding speed/thrash metal. The follow-up Origin Of Extinction is not
vastly different in this sense, but it does feature a lot more variation in
speed than the debut album. Some moments you could call downright laidback or
just more moderately paced with a close resemblance to Iron Maiden and other
NWOBHM bands in the early
1980s. That alone doesn't make the result less worthy of attention, but
admittedly Murder Death Kill appeared a bit more interesting already at
the first sight. Mortillery's sophomore effort may be slightly more refined
than its predecessor, yet it doesn't quite have the same kind of original rough
charm.
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1. Desperate Maniacs In Endless Confusion
2. Fatal Violence
3. Bury Your Remorse
4. Dream About Her Dying
5. Bombs Over Bombay
6. Requiem Shuffle
7. Fact And Fiction
8. Tear Me Apart
9. Escape In Death
A German band turned from hardcore into total thrash metal, Mottek provided a
pleasant surprise with Fatal Violence. The band's guitar sound is
really awesome, razor sharp and gritty, and the rhythm section is up to speed
like no other. Not only that but there's some original thought behind many of
these riffs. This is basically a thrash metal attack at its keenest. No new
grounds opened here, but what is done proves that some true and tested antics
never get too old or ineffective. Granted, the thing goes around the same
circles from start to finish, but at least they got it quite right from the
very beginning. Mottek gave a ripping example of what it really means to
play thrash - original or not, there's a lot worse than this available.
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1. Deathripper
2. Unleash The Bastards
3. The Thing
4. Blood Drive
5. Accelerated Vision
6. Guilty Of Being Tight
7. Set To Destruct
8. Hazardous Mutation
9. Nailed Casket
10. Abusement Park
11. Black Ice
12. Mind Eraser
13. Terror Shark
14. The Thrashin' Of The Christ
15. Bangover
Municipal Waste may be one of the better known thrash bands in recent years,
and it is easy to see why. Following their early, more crossover oriented
works, Hazardous Mutation can be seen as a turning point where thrash
metal took over the band's more simplistic tendencies. While the album is still
quite short, most songs are long enough so that they actually start to make
sense. There are not too many bands who can consistently write serious riffage
that immediately sounds good, but Municipal Waste succeed in the effort with
flying colors. On top of it all, Tony Foresta's eager shouts fit in like a
glove. In addition, the production quality is something that bands like D.R.I.
probably couldn't even imagine in the 1980s, fully clear and appropriately
heavy. Fast, hard-hitting and rarely dull, Hazardous Mutation can leave
you happy and out of breath at the same time.
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1. Pre-Game
2. The Art Of Partying
3. Headbanger Face Rip
4. Mental Shock
5. A.D.D. (Attention Deficit Destroyer)
6. The Inebriator
7. Lunch Hall Food Brawl
8. Beer Pressure
9. Chemically Altered
10. Sadistic Magician
11. Open Your Mind
12. Radioactive Force
13. Septic Detonation
14. Rigorous Vengeance
15. Born To Party
16. Thrashing's My Business... And Business Is Good (bonus)
17. I Just Wanna Rock (bonus)
If Hazardous Mutation had been a double album, The Art Of
Partying would have made a perfect second half. There are no practical
differences other than that the average track length is again slightly longer
than before, although none of the songs still breaks even the 3 minute mark
(obviously Born To Party does not count). All the positive notes about
the previous album apply here, too, and in practice the only major negative
remark is that when you hear two or more recordings of this kind in a row, they
can appear quite similar to each other. Therefore it may be advisable to limit
your exposure to Municipal Waste accordingly. Apart from that, there is no
denying that The Art Of Partying is an enjoyable piece of thrash in the
same vein as its predecessor.
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1. Backstab
2. Engulfed In Fire
3. Out Of The Ashes
4. Derived From Destruction
5. Humanity's Infection
6. Minutes To Live
7. Darkest Fears
8. Obsession For Aggression
Quite possibly the first thing about Out Of The Ashes that will draw
attention is the sound quality which is almost too good. It is not really
overproduced, just somewhat sterile and artificial, and especially the drum
sound may appear plain irritating to some. This is not an absolute drawback but
it can take something away from the experience. That aside, technically this
album is by all means a well-made effort, and there is no shortage of speed
either. Yet the music does not necessarily make the best impression as pretty
much all the tracks sound like they were composed in the same pipeline with
very few variations. All this can lead to something of an indifferent response
in the end. Out Of The Ashes must be about as adequately performed as
reasonably possible, and still the outcome is rather cold and uncompassionate.
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1. Madness Reigns
2. The Scapegoat
3. You Filthy Pig
4. Holy Disease
5. Human Target
6. Pure Fuckin' Hate
7. Overloaded Maniac
8. Our Future Is Black
The idea of a black metal band turned to pure thrash metal might seem rather
hilarious these days, but probably better that than the alternative. With this
background, Must Missa's The Target Of Hate sounds almost surprisingly
typical and average. Regarding the general style, this product is quite close
to the German school of straightforward thrash metal, and the level of
innovation is practically zero. Obviously the band put some effort into it and
formally the album is not half-bad, but in the seriously saturated genre of
thrash metal a highly ordinary offering like this does not impress in the
least. To be honest, it should be no wonder if you feel that the urge to skip
tracks becomes nearly overwhelming at times.
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1. Devil's Reject
2. Here To Destroy
3. Regret Or Deny
4. Martyr Of Wrath
5. Blackened Thrasher Hordes
6. Fanatic Possession
7. Thirsty And Mad
8. Hallowed Be Thy Whip
Even though Martyr Of Wrath is not a huge improvement over Must Missa's
previous release, this album does have something of an audible edge over its
predecessor. The production and performance sound immediately more forceful
than on The Target Of Hate, and occasionally the band's output can even
bring Destruction's modern recordings to mind. This arguably demonstrates a
certain level of professional quality, although points on originality remain
naturally very low. Martyr Of Wrath is by no means a distinctive piece
of work, far from it, but at least most songs are actually quite listenable and
the result as a whole does not appear quite as dull as some of the band's older
works.
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1. Memorial Stone Without Name
2. Blood Storm
3. Butcher
4. War Dogs
5. Mutilator
6. Brigade Of Hate
7. Immortal Force
8. Tormented Soul
9. Paranoiac Command
Another example of less known underground bands from Brazil, Mutilator's
Immortal Force features some very straightforward thrash metal with
poor production values and somewhat rushed feel. The production is really raw,
resulting in a thin although surprisingly clear sound. The tracks are very
fast and primitive pieces that do not exactly differ too much from each other,
making it slightly difficult to get a good grasp of this album. The audible
enthusiasm in the band's raw sound helps the result at least a bit and makes
it easier to forgive some of the unimaginative delivery. Although Mutilator's
sound is undeniably quite consistent, at times it can appear even
unintentionally funny from today's perspective. Immortal Force is not
exactly a great piece of music although there's no reason to completely ignore
the effort.
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1. Raise The Strange
2. Vanishing In The Haze
3. Greetings (To The Dead)
4. Lost Words
5. Fighting In The Past
6. Into The Strange
7. Five Minutes Beyond The Walls
8. A Place To Go
No matter how you look at it, Mutilator's second album Into The Strange
was a definite improvement over Immortal Force. Clearly a lot more
thought had been put into songwriting, not to mention that both musicianship
and production appear much better than on the previous release. Many songs
actually feature some quite catchy riffs, and the guitar sound in general
shows notable development from the past. Still, all these changes do not mean
that Mutilator would have lost their initial rush. These tracks carry much of
the same energy as the band's debut, but it is now presented in a more
controlled format than before. It is only near the end of this album that
the positive impression starts to wear out. Even though Into The
Strange may not belong to the group of the most classic or important
recordings in the genre, it holds on its own in a fairly respectable manner.
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1. Dirty Bitch
2. Fighting For The Bastards
3. Satanic Noise
4. Inquisition
5. Dead World
6. Jason
7. Restless Soul
8. Dark Dream
Expecting your typically energetic but not too memorable Brazilian thrash
metal, an unsuspecting listener could be caught off-guard by MX. While the
first couple of tracks on Simoniacal sound pretty much like the early
Protector with all their controlled chaos ripping through you, near the middle
of this album the guitars suddenly develop a new kind of variety that really
draws your attention. While constantly relentless and heavy, the debut of MX
actually shows serious touches of inspired, even semi-innovative songwriting
that certainly helps the album to rise above a great bunch of more
stereotypical releases. Although it doesn't really open any new doors with its
approach, Simoniacal is a surprisingly worthly staple of thrash metal
done with some real talent.
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1. Mental Slavery
2. Behind His Glasses
3. Fake Truth
4. The Guf
5. Obvious, Who Isn't?
6. I Will Be Alive
7. I'll Bring You With Me
8. What Am I
9. Ritual Of Strings
10. No Violence
While the second MX album is still quite an intense effort, it is slightly
more formulaic in comparison to the debut. Whereas Simoniacal had a few
truly inspirational moments, Mental Slavery is more typical for a
thrash metal album in every sense. Most of these tracks lack the genuine
spirit of the band's first release, and while the overall pace is pretty
relentless, there is very little originality and variation in this music. As a
result, it almost feels as if you're hearing the same track repeated several
times. It's not exactly of the most memorable kind either. This is not to say
that Mental Slavery would be really bad, the album is just a bit too
ordinary and forgettable that you'd like to get back to it in the long run.
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1. Torment
2. Another Game
3. Psycho To The Bones
4. Buy My Impunity
5. Criminous Command
6. Silent Confession
7. Ashes To Ashes
8. Drown In Holy Water
Again was something of a positive surprise from MX after a long break
in the recording front. The album starts out very promising with a couple of
relentless thrashers that go back to basics in quite an effective way. But
not all tracks run in the same vein, and as a whole this release ends up being
a mixture of fast thrash metal and some more mid-to-low paced stompers with
occasional speed bursts. You cannot help but feel that the end product could
have been more intense as well as memorable with a higher number of consistent
high-speed tracks than now. Even then some of this variety does add to a
carefully favorable impression, though, and at least Again is a fair
step up from Mental Slavery while maybe not fully comparable to the
band's best original works.
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1. Intro: Voices
2. Schizophrenia
3. The Ultimate Dark
4. Migration As A Mission
5. Tools Of Humanity?
6. The Endless Sleep
7. A Hidden Disease
8. Mock Soldiers Of Distress
9. Trouble Shifting
10. Inevitable Alterations
11. Instruments Of Genocide
12. Outro: High Roads In The Sky
Mystrez seem to have been a bit strange band in the classic thrash metal genre.
The Indictment features some intriguing, rather complex thrash that
doesn't directly resemble the output of any other act. Even though this Dutch
band may on a couple of occasions sound like a heavier and faster Megadeth, in
general their music has a style of its own. The riffs do not really stick to
your head, which makes this album not an easy one to remember. Despite the
style being not too straightforward, the band play constantly fast, which gives
the tracks quite a consistent feel after all. Actually the only major nitpick
is that the vocals sound somewhat forced and can get slightly irritating at
times. As the music appears to avoid all the easy hooks, it is guaranteed to
take time to get into this one, however, The Indictment seems to hold
more value than it might initially promise.
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